Buffalo Daughter

I need to ramble. About Shibuya-Kei pop. I know. It's technically J-Pop. But it's SHIT-ASS WEIRD J-pop. Also, the more I listen to it and think about it, it's a lot more electronic and punk-based than it is pop.

What's truly crazy is how everybody in the Shibuya-Kei pop chain all know each other and have collaborated or remixed one anothers songs. As may have been implied with the weekly Cover Song dealie, I am thoroughly excited by collaboration and line-crossing and all that. But the weird thing is how some of this Shibuya-Kei ended up on the Grand Royal label (aka, The Beastie Boys). And that would be Buffalo Daughter, with their first two full-length releases ending up on Grand Royal, along with the probably better-known Cibo Matto and all their released albums.

But enough with the credentials and connections and crap. Let's cut to the chase.

Things I love about Buffalo Daughter:
-the cut&paste electronic techniques
-the use of moog and other keyboards
-the general guitar sound
-the interaction between electronics and guitars
-the fact that one of their three members names is Dr. Moog.
-another member calling herself "Sugar Yamamoto."
-the musical build over repetition
-the repetition (my aural attention-span is might sturdy)
-the whimsical-ish vocals
-the absurdity (which you will hear)

Here are some sounds for your listening pleasure...

mp3: Buffalo Daughter - Sky High
mp3: Buffalo Daughter - Dr Mooooog (this song doesn't actually start doing anything much until after the 1st minute, so sit tight...)
mp3: Buffalo Daughter - I

*edit*

Oops. I was having some ftp problems. Everything should be fixed and where it belongs now.