Showing posts with label cut-paste. Show all posts
Showing posts with label cut-paste. Show all posts

Wednesday, March 28, 2007

Little Fluffy Clouds

I have a definite soft spot for The Orb, and I suspect it is due to this song.

mp3: The Orb - Fluffy Little Clouds

It's true, you might have heard this song before, if you watched TV in the late 90's and ever happened upon a commercial for the new VW Beetle.

I've gotta say. It's beats, keyboards/pitch producers, and cut&paste when done the right way that make me incredibly happy. This song actually features a sample loop of minimalist composer Steve Reich's Electric Counterpoint (originally recorded and performed for guitar by Pat Metheny, but is apparently also arranged for guitar ensemble). Sadly, I have been listening to both this song and Electric Counterpoint for well over four years and it took me until somewhere in the middle of LAST WEEK to go "huh," check Wikipedia, and then kind of want to hit myself in the face.

toothpaste for dinner


The other pasted clip featured in this song is from an interview with Rickie Lee Jones, a sample which was found on a promo CD. According to Wikipedia, Steve Reich was cool about his work being sampled, but Rickie Lee Jones was not down with the interview being used. Fascinating.

The other point I want to emphasize is that those VW commercials from the mid-90's featured some interesting tunes. The Orb, Hooverphonic, Nick Drake, Stereolab, and even Fluke. Maybe they still do. I don't know. I need to actually watch TV, apparently.

Wednesday, March 14, 2007

Buffalo Daughter

I need to ramble. About Shibuya-Kei pop. I know. It's technically J-Pop. But it's SHIT-ASS WEIRD J-pop. Also, the more I listen to it and think about it, it's a lot more electronic and punk-based than it is pop.

What's truly crazy is how everybody in the Shibuya-Kei pop chain all know each other and have collaborated or remixed one anothers songs. As may have been implied with the weekly Cover Song dealie, I am thoroughly excited by collaboration and line-crossing and all that. But the weird thing is how some of this Shibuya-Kei ended up on the Grand Royal label (aka, The Beastie Boys). And that would be Buffalo Daughter, with their first two full-length releases ending up on Grand Royal, along with the probably better-known Cibo Matto and all their released albums.

But enough with the credentials and connections and crap. Let's cut to the chase.
Things I love about Buffalo Daughter:
-the cut&paste electronic techniques
-the use of moog and other keyboards
-the general guitar sound
-the interaction between electronics and guitars
-the fact that one of their three members names is Dr. Moog.
-another member calling herself "Sugar Yamamoto."
-the musical build over repetition
-the repetition (my aural attention-span is might sturdy)
-the whimsical-ish vocals
-the absurdity (which you will hear)

Here are some sounds for your listening pleasure...

mp3: Buffalo Daughter - Sky High
mp3: Buffalo Daughter - Dr Mooooog (this song doesn't actually start doing anything much until after the 1st minute, so sit tight...)
mp3: Buffalo Daughter - I

*edit*

Oops. I was having some ftp problems. Everything should be fixed and where it belongs now.